After making many revisions, I am quite happy with the color balances and harmonies, the naive perspective and the clarity of the pattern filled surfaces.
Most of the interesting shades were created by combining opposite colors, especially sap green with carmine, and Naples yellow with purple. Actually, a bit of Naples yellow in everything. In the final version, I used metalic colors sparingly.
The Hebrew lettering remains to be applied.
Most of the interesting shades were created by combining opposite colors, especially sap green with carmine, and Naples yellow with purple. Actually, a bit of Naples yellow in everything. In the final version, I used metalic colors sparingly.
The Hebrew lettering remains to be applied.
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